He titled these works Concetto spaziale and he used this name for almost all of his later works. He was mostly known as the founder of Spatialism … These can be divided into broad categories: the Buchi (‘holes’), beginning in 1949, and the Tagli (‘slashes’), which he instituted in the mid-1950s. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. Already in 1926, he participated in the first exhibition of Nexus, a group of young Argentine artists working in Rosario de Santa Fé. Lucio Fontana (Santa Fe, Argentina, February 19, 1899 - Varese, Italy, September 7, 1968) was an Italian painter, sculptor and theorist of Argentine birth. Fontana formulated the theory of Spatialism in a series of manifestos dating from the late 1940s to early 1950s, proposing that matter should be infiltrated by energy in order to generate dimensional, dynamic artistic forms. From 1958 he purified his paintings by creating matte, monochrome surfaces, thus focusing the viewer’s attention on the slices that rend the skin of the canvas. Nude is an original etching realized in 1964 by the Italian artist Lucio Fontana, the main exponent of the art movement Spatialism. The full text of the article is here →, http://en.wikipedia.org/wiki/Lucio_Fontana. Summary of Lucio Fontana The career of artist Lucio Fontana spans some of the most tumultuous decades of the 20 th century, from the build up to World War I to the aftermath of World War II and the onset of the Cold War. Fontana often lined the reverse of his canvases with black gauze so that the darkness would shimmer behind the open cuts and create a mysterious sense of illusion and depth. Fontana had found his studio and works completely destroyed in the Allied bombings of Milan, but soon also resumed his ceramics works in Albisola. Lucio Fontana ‘the hole is the beginning of a sculpture in space’ Lucio Fontana ‘[Fontana] is the enemy of media purity, and chooses the ambiguous borders between the arts, where paintings look like sculpture and sculpture meets painting halfway, in a series of overlappings and conflations’ Lawrence Alloway 2016 - Explorez le tableau « Lucio Fontana » de Archive - Arts Visuels, auquel 468 utilisateurs de Pinterest sont abonnés. Wikipedia article References Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Italian painter, sculptor and theorist of Argentine birth. Following his return to Italy in 1948 Fontana exhibited his first Ambiente spaziale a luce nera (Spatial Environment) (1949) at the Galleria del Naviglio in Milan, a temporary installation consisting of a giant amoeba-like shape suspended in the void in a darkened room and lit by neon light. Free shipping on many items | Browse your favorite brands | affordable prices. II, Milan 2006, p. 659, no. As the father of the spatialism concept, Fontana was at the helm of important developments in the modern art movement. As he entered his final years, Fontana’s use of pure white on his canvases became more and more frequent, a final effort to achieve a sense of the perfectly unblemished canvas. He is mostly known as the founder of Spatialism. Lucio Fontana Born Feb. 19, 1899 Santa Fe, Argentina Died Sep. 7, 1968 (at age 69) Varese, Italy Nationality Italian Education Brera Academy, Milan Movement Spatialism Field Painting, Sculpting Works Lucio Fontana was a famous Italian artist who was known for combining different mediums in order to create a new form of art. Lucio Fontanawas an Argentine-Italian artist known as the founder of Spatialism. Get the best deals on Lucio Fontana Art Prints when you shop the largest online selection at eBay.com. The movement focused on the spatial qualities of sculpture and paintings with the goal of breaking through the two-dimensionality of the traditional picture plane. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Italian painter, sculptor and theorist of Argentine birth. Throughout his prolific career, Lucio Fontana demonstrated a relentless interest in the relationship between surface and dimensionality. On space. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. On his later works, Fontana notes "art dies but is saved by the gesture." In this, and in the several more that followed, Fontana developed the ideas of the Manifiesto Blanco issued at the Altamira Academy in Buenos Aires the year before. Wikidata Q312392 From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). In Buenos Aires (1946) he founded the Altamira academy together with some of his students, and made public the White Manifesto, where it is stated that "Matter, colour and sound in motion are the phenomena whose simultaneous development makes up the new art". Upon his return from Argentina in 1947, he supported, along with writers and philosophers, the first manifesto of spatialism (Spazialismo)**. In 1940 he returned to Argentina. Photo credits wikiart.org More Than Rich Career. He was trained as a sculptor. Fontana formulated the theory of Spatialism in a series of manifestos dating from the late 1940s to early 1950s, proposing that matter should be infiltrated by energy … Fontana recalls the art of earlier civilizations and introduces elements of modern art in this work, harkening back to Ancient Greek black-figure pottery in both style and name while playing with the multiple perspectives that fascinated modern abstract artists, such as the Cubists and Futurists. A new view of Fontana showing how the artist combined modernist aesthetics with outmoded forms of kitsch. Lucio Fontana and Multi-Disciplinary Art It is a historical glitch that Lucio Fontana is mostly referred to as a painter. Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). The Art of Lucio Fontana From 1949, Lucio Fontana started his Spatial Concept or slash series, a collection of works comprised of holes and slashes on the surface of monochrome paintings. cat., Castello di Riovli, Rivoli, 1986, p. 79). From Wikipedia, the free encyclopedia Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. During the following decade he journeyed Italy and France, working with abstract and expressionist painters. He devised the generic title Concetto spaziale (‘spatial concept’) for these works and used it for almost all his later paintings. In his important series of Concetto spaziale, La Fine di Dio (1963–64), Fontana uses the egg shape. Courtesy of Robilant & Voena. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). He was mostly known as the founder of Spatialism. In his Buchi (holes) cycle, begun in 1949-50, he punctured the surface of his canvases, breaking the membrane of two-dimensionality in order to highlight the space behind the picture. Fontana’s innovative theories prefigured later developments in environmental art, performance art, and Arte Povera. In addition, in Concetto spaziale, Attesa, 1964, Lucio Fontana introduces the question of visual purity in a work of art. Check out our lucio fontana art selection for the very best in unique or custom, handmade pieces from our shops. He is mostly known as the founder of Spatialism. Lucio Fontana's career was largely influenced by the spatial concept Lucio Fontana - Concept Spatiale (detail), 1958. Avant-garde meets ultra-baroque in the works of Argentine-born Italian artist Lucio Fontana (1899-1968), the last two decades of whose vast … He is mostly known as the founder of Spatialism. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. Discover works for sale, auction results, market data, news and exhibitions on MutualArt. Provenance: Galerie Pierre, Stockholm Private Collection, Saltsjo-Duvnas Sotheby’s London, 20 March 1997, lot 29 Private Collection, Germany Dorotheum, 1 June 2016, Lot 603 acquired from the above by the present owner Exhibited: In Milan, he collaborated with noted Milanese architects to decorate several new buildings that were part of the effort to reconstruct the city after the war. 4 févr. After graduating in 1930, Fontana held his first solo exhibition at the Milan gallery Il Milione and spent the following decade working in Italy and France, both on his own work and in collaboration with other artists. In 1927 Fontana returned to Italy and studied under the sculptor Adolfo Wildt, at Accademia di Brera from 1928 to 1930. In 1959 Fontana exhibited cut-off paintings with multiple combinable elements (he named the sets quanta), and began Nature, a series of sculptures made by cutting a gash across a sphere of terracotta clay, which he subsequently cast in bronze. Find the latest shows, biography, and artworks for sale by Lucio Fontana. The work has been registered by the Fondazione Lucio Fontana, Milan under the archive no.2767/1. Represented by industry leading galleries. He was born in Argentina in 1899 to a father who sculpted and who first taught Lucio the basics of his craft. He was mostly known as the founder of Spatialism. Fontana’s rupture of the surface of painting has had a widespread impact on generations of artists in exploring the dynamics of how painting can incorporate space and the real, physical elements of life. Lucio Fontana (19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. He then created an elaborate neon ceiling called "Luce spaziale" in 1951 for the Triennale in Milan. Voir plus d'idées sur le thème art, peintres italiens, rosario. Lucio Fontana’s oeuvre is more than just visually alluring and thought-provoking, it brought about a movement that changed the perspective on art … Lucio Fontana One of the most innovative artists of the twentieth century, Argentine-Italian artist Lucio Fontana (1899–1968) continually challenged the boundaries of art making and the role of the artist, using a rich vocabulary of material, form, and action. “I do not want to make a painting; I want to open up space, create a new dimension, tie in … Enrico Crispolti, Lucio Fontana, Catalogo Ragionato di Sculture, Dipinti, Ambientazion i, Vol. Throughout his prolific career, Lucio Fontana demonstrated a relentless interest in… Lucio Fontana’s minimalist modern art has delighted and confused critics since he started producing his infamous slashed canvases in the 1940s. Lucio Fontana (Argentine/Italian, 1899–1968) was born in Argentina, but moved to Milan when he was a young child. In 1935 he joined the association Abstraction-Création in Paris and from 1936 to 1949 made expressionnist sculptures in ceramic and bronze. Lucio Fontana Concetto spaziale, Attese, 1960 water-based paint on canvas 49 1/4 x 39 3/8 inches (125 x 100 cm) SW 99252 Collection of the Museum of Fine Arts Houston His contributions Stay up to date with Lucio Fontana (Italian, 1899 - 1968) . With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass. Limited-Edition Prints by Leading Artists, Concetto Spaziale (from XXe Siecle), 1975, Concetto Spaziale (from XXe Siecle), 1959, Southern Cone (Argentina, Chile, Paraguay, Uruguay). By ripping through his canvases, Lucio Fontana changed what a painting could be, and the course of art history. He is mostly known as the founder of Spatialism. One of his most celebrated works Spatial Concept: Waiting consists of a single cut on a warm, brown-hued canvas. Sculptor, painter, and theorist Lucio Fontana is internationally renowned as one of the most innovative artists of the 20th century. In the text, which Fontana did not sign but to which he actively contributed, he began to formulate the theories that he was to expand as Spazialismo, or Spatialism, in five manifestos from 1947 to 1952. It was there where he presented his first exhibition in 1930, organized by the Milano art gallery Il Milione. As Fontana noted in his Manifesto Blanco, ‘art continues to develop itself in the direction of movement the evolution of man is a march towards movement developed in time and space’ (L. Fontana, Manifesto Blanco, 1946, in R. Fuchs, Lucio Fontana: la cultura dell’occhio, exh. Lucio Fontana, Concetto Spaziale (1957). (Lucio Fontana 1899-1968: A Retrospective, exhibition catalogue, Solomon R. Guggenheim Museum, New York 1977, p.19) In 1977 his first retrospective was exhibited at the Solomon R. Guggenheim Museum. Fontana spent the first years of his life in Italy and came back to Argentina in 1905, where he stayed until 1922, working as a sculptor along with his father, and then on his own. Trained as a sculptor at the Academy of Fine Arts of Brera, he became familiar with the art of Arturo Martini, whose work proved influential in Fontana’s artistic beginnings. The movement (Movimento Spaziale – spacialist movement, or spacialism) was launched in 1947 after Lucio Fontana’s return to Italy from Argentina with the first Manifiesto Spaziale (spatialist manifesto). In 1939, he joined the Corrente, a Milan group of expressionist artists. In 1961, a solo exhibition by Argentine-Italian artist Lucio Fontana met with a scathing critical response from New York art critics. Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. 5 Artsy Viewing Rooms to Explore This Fall, What Sold at Frieze and TEFAF in New York, The Salacious Violence of Lucio Fontana’s Slashed Canvases.

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